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In low-budget production 34; Fikkefuchs 34; The main characters are just about one. Might be fun, even brand topical or provocative. Unfortunately it is only misogyn.

Fikkefuchs : Fikken! Fikken! Fikken!

In low-budget production 34; Fikkefuchs 34; The main characters are just about one. Might be fun, even brand topical or provocative. Unfortunately it is only misogyn.

  Fikkefuchs  : Fikken! Fikken! Fikken!
Content
  • Page 1 — Fikken! Fikken! Fikken!
  • Page 2 — a woman's picture of creeps
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    The movie of Hour is here. The film about men, women and sex. The male commentary on MeToo debate, on relationship of sexes, even more: to eternally enigmatic man-woman dichotomy. It is already brilliant timing for director (and lead actor) Jan Henrik Stahlberg that his Fikkefuchs is now coming Inskino. I'm sure re'll be more spectators. Can really provoke that thing. Because that's what it's all about. Stahl Berg's Fikkefuchs is not a serious contribution to debate, sondernvor all cinematic masturbation.

    In all places, makers emphasize that film is without Förderungausgekommen, without bodies and editors who could have diluted it. that he unfiltered across. Here's what a thing is, what most men don't dare say, maybe not even think. As men supposedly see world, but especially women.

    "I love all women: chubby and slender, blonde and brunette", at beginning of one from off. But n with limitation: "I young women, I want deer. The hind at wayside Care not. " Ha! It's a long time. Who dares to say this yet in times of fars months and women's quota?

    Cinema» Fikkefuchs «(trailer) © Photo: Alamoe Film

    Who speaks, this is rocky, main character of Fikkefuchs, played by Stahlberg himself. Put it in his mouth EbenfallsStahlberg. He also wrote screenplay, toger with Wolfram Fleischhauer. But who is actually speaking now? A fictitious figure, or by your creators? Is this now satirical demasking or EineMaskerade, behind which things can be said that you do not dare to say orwise? This is becoming more and more ambiguous in course of Fikkefuchs.

    And this is one of many problems of this film, which pretends to make fun of images of masculinity, but in truth nichtsentlarvt but only affirmed and amplified. First of all hybris of filmmaker. Second, a stirring form of male self-pity in light of interpretation and deflorations sovereignty lost in last decades.

    Rocky is thus one of two main characters in Fikkefuchs, gently bedraggled around--fifties with Pläte and unclear professional image, something with culture probable, because on his education he places great value. Earlier, so Rocky about himself, he laid women in rows flat, tasteful and style sure of course. Today young Dingerüber laugh at him, and he eir looks away from home or women in sauna between his legs.

    rape in supermarket

    And n re is his son Thorben (Franz Rogowski), whom Rocky penetrant calls Thorsten, because he is only now acquainted with him and Eigentlichauch wants to know nothing of him. Would be understandable: Thorben has raped EineKassiererin in a supermarket and has just erupted from GeschlossenenPsychiatrie. Now he is standing at Rocky's door, Dauerhorny Wieimmer, and wants to learn from him how to persuade women to sex without having to use violence. What makes Rocky forget his concerns, because Alsschöngeistiger women whisperers and engravers to stage, make him almost sogeil like real sex. And he hasn't been re for years.

    Henceforth Dally two through Berlin night life, making nightclubs and pubs on most intrusive women, always flashing rescan and taking, when everything does not help, in a course in which y should daslernen, which y mselves do not get on line. And with JederMinute narrative time that passes, one wishes – with certainty also woman – to get farr away from screen, best to get out of cinema and zurückins real life, to escape this ever unpleasant and disgusting film.

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