It is important to remember the audience, too

this is A man hemmed in by the boxes, where in the past the things, the sounds and the flavours are packed in anticipation of the återuppväckelse, a bike, a pap

It is important to remember the audience, too

this is A man hemmed in by the boxes, where in the past the things, the sounds and the flavours are packed in anticipation of the återuppväckelse, a bike, a pappdocksfamilj, an apple, a burfågel who lives and dies. In the award-winning film director, dancer, musician, and actor Bernard Cauchards is a new show at the puppet show going on minnesakten, which is a flow between the past, the present and the future. And when the actor, Ida-Stéen , pull the lever to the minnesmaskinen of the Kay Tinbäck Du Rées , the circular stage, she started with a sensual hågkomsternas the game.

the Musical imagery requires this participation, and the touch just as much as the inbillningsförmåga to come back to life: lådlock need to be opened, the object to be picked up from the amnesia and to be and to feel, at the, attributed to. The only way to the past, bringing amazement, delight, and grief, and the ability to take action in the present, carried forward to a subsequent period of time. It is also Tinbäck du Rées, the wonderful mormordocka walking in and out of the last box of this somewhat tentative performance will be at its strongest: when it is to remember to appear forward, as traderande the relationship between the generations.

the Only way to the past, bringing amazement, delight, and grief, and the ability to take action in the present.

for , that is, in order to remind you of the oavslutbarhet, to play Wesley in the interaction of Those Philipsons , lighting design, and Cauchards audio musikkollage up a mimteaterlogik, which are often associative and poetic, but in a moment of well-recognizable and conventional.

Yet the children of the premiärpubliken and men on the – ”Pull the switch!”,”Not in the box!” go to the contact for which this event does not always know to take care of. When mimteater is that the hardware produces the mimarens wordless physicality in a conversation with the viewer, which leads us to accept the silence, which is something, of course, connected. Cauchards setting is, admittedly, defined, and diligent, but at times, as well as inward-looking preoccupied with her own gestures.
Theatre
Memories.

as Of the and directed by Bernard Cauchard.

the Puppets and the production design, Kay Tinbäck du Rées.

in the Light of Those Phillips.

in the Suit, Martha Fallenius.

the Sound, the the music and the musikkollage Bernard Cauchard.

the Participants in the Ida-Stéen.

this was/Bristol.

Age 4+

Show more Show less. READ MORE: , the Magic marionettspel of Alice's adventures in Wonderland, LEARN MORE: thang long water puppet theatre, which surpass the royal dramatic theatre and the state theatre of Hannah Nordenhök is a writer and critic of Expressen's Culture. Her most recent book is ”the Aspens”.

on The screen of the player to see an incoming call from the international book Fair in Gothenburg, sweden, where Lars Lerin tells the story of his first book ”the Troll is not a home away from home”.

<
Updated Date: 02 November 2019, 01:00

Expressen

Expressen

You need to login to comment.

Please register or login.