One thing is to be articulate about art and activism. Another one that's really doing something. But it takes a demagogue in order to get the masses in motion, shows, Anna Vnuk is a funny and educational way in her new piece, ”Moppupproret” of the culture house, Kulturhuset Stadsteatern Skärholmen. However, she would not be Vnuk, if she is not in the stack, the hole in his idealistic hero, before the lights go out.
the Scene is a junior high school, and roles of a mixed teaching committee. I can't help but think of the Danish Netflix series, ”Drawing”, and the follow-up ”Hjørdis”. NO, the teacher with the enstörings-aura ( Daniel Pearson ), the rector of empty words, and the blonde hårman ( Per Öhagen ), the language teacher, with stress symptoms ( David Kaneld ), gympaläraren with a big heart. Simon Rodriguez, ), and the bildläraren, Michelle, in the glasses with the attitude of the ( Astrid Kakuli ). It is the latter that is the driving force for the theme of Art as activism, and speeches in the school assembly hall.
She teaches with an emphasis on Carl Fredrik Reuterswärds the Anna Odells , ”Woman unknown,” and Faith Ringgolds , ”Tar Beach #2”. ”Articulate a vision, provide us with a debate or a re-write of the story,” she says, and sends out the secondary school students of the mission.
Sounds kind of sad. Was a good one. And it's thanks to the humor.
it makes You wonder a bit how it sounded when Vnuk pitched the pjäsidén have the Students discover the injustice, to occupy the dean's garageuppfart and is composed of a kampsång. It's not just about the arts as social activism, but on the illegal employment, local procurement, school management, treatment and the arts, to open a crack. Sounds kind of sad. Was a good one. And it's thanks to the humor. But also because it is a cause for concern, in the hood (although he is played by Daniel Pearson ) that every cone passed the secondary school can easily relate to, and whose role it would play an important role for the dissolution. Something needs to be done to the ill-conceived final scene, a ”really?”
a sad and atmospheric music for the choreographic mellanspelen, lärarrummets kommunalkolorerade interior design, the pressure in the invisible, but ever-present, the parents ' association, grälscenen in which the whole of the teaching body to clean the air, and the cleaners that are skuggfigurer in the background. It is this kind of fun-realism of the work. And this is how the school looks like.
the Direction of the text, to Anna Vnuk "
the set design and costume Design, Jenny Kronberg "
in the Light of the Mary Rose.
the Mask of Dr Rafstedt.
the Music of Marit Bergman.
the Scenery Was Erased.
assistant director, Alice Månsdotter Viklund "
Kulturhuset Stadsteatern Skärholmen.
the Duration 1.15 h.
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" Gunilla Brodrej, is a critic and editor in chief of Expressen's Culture.
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