I cut

"Katarina Frostenson"

the libretto for the opera ”the City”, in Bucharest, in 1998, it was taken a few days later, in a response to the review. This is the most prestigious event in the whole of the capital of culture Year. Sven-David sandström's , the music was great, but the Frostenson it is based, were cryptic, and the dramaturgical riktningslöst. Not suitable for the opera, I thought.

Litteraturprofessor Ebba Witt-Brattström: made for the services of an interpreter for a full course of University genuslitteraturkurs when she was arguing with my review. Director of cultural affairs, Maria Schottenius entered into the text. It was a rare publicistiskt decision. My understanding was that they are not allowed to criticize Miller.

on A positive text, which balance out a negative review can seem like a small issue, but it is precisely the kind of small adjustments of the power relations that contribute to the status quo. What should be criticized. The reality of it is that the case. Some people's position is not going to be upset until the time is right. And that is, Matilda Gustavsson "

in the documentary-style book ”of the Club,” about the time before and after the unveiling of the Jean-Claude Arnault , is a metoo of a revolution, in particular, for the reality of the situation.

My understanding was that you are not allowed to criticize Miller.

Some of the testimony about the sexual abuse and sexual harassment, we know from the DN's disclosure of the kulturprofilen in 2017, the Swedish newspaper Expressen in 1997), the second is a longer and more detailed. On top of that, Gustavsson's beautiful, and challenging, manifestation, telephone calls, in the small cages, with frosted glass on the DN's editorial board, and her own ambivalence in the way the victims are going to be made. The way a victim is expected to behave in a way in order to be believed. Women, be careful to fill in, in case they were met with Arnault, again, after the abuse, they were transparent about it.

< Gustavsson reveals the bizarre myth that she was supposed to be a puppet of a conspiracy. When she gets to the theory presented by, among others, the In , Berkeley , she finds that it feels surreal, and becomes speechless: ”She [Catherine Miller] knows with certainty that it is a slander, a scandal. However, the whole thing will eventually be resolved. The problem is going to be punished ( ... ), you've been taken for a ride. You have got to use is, quite simply, a multitude of women, who have long wanted to harm Jean-Claude, and thereby to the overthrow of Catherine's from the poettronen,” says the london and new york. In london and new york, and Catherine Miller.Photo by: < / b> PATRICK (C) ÖSTERBERG / IBL/IMAGE

< Gustavsson's silence, of course, also to the men talk. Even when she was traveling to France to seek the Arnaults, the roots she feels dumb because she does not speak French, but through the study of a number of documents, but there is one thing that is clear – he reminds me of the sun and the vårare. He is not at all the akademiske leader who has been at the Sorbonne in paris, and had stood on the barricades, as he skrävlat on. He was a practical secondary education for electrical contractors. Her mother is a seamstress and not an actress. The father has six children by four women. In France, he is not. At least, not in the sense of the word, he himself, the sounds heard.

Gustavsson reveals the bizarre myth that she was supposed to be a puppet of a conspiracy.

the Man is amazed at how he sexistiske a liar from the beginning, and later on in the Sweden as a failed opera director still managed to stay afloat, backed up by wide-eyed men seem to be impressed in order to Arnault, attracting women, and have the good sense to tip at a restaurant. But the highest Arnault lived by Katarina Frostenson it. She has been with him, as an invisible guarantor, kind of like a Harvey Weinstein , who is constantly referred to by the Gwyneth Paltrow: . They did that these men are to be understood to get to their lofty position.

Jean-Claude Arnault at the Forum in 2006.Photo by: < / b> CHRISTINE OLSSON / DN

Following the unveiling of the ROTOR and of the Swedish Academy, the famous press release about the ”unacceptable behavior in the form of unwanted intimacy,” claiming to Catherine Miller, who according to the witnesses, yourself, have witnessed a lot of tafsandet, that her husband is a victim of racism. At one point in the march of 2018, the barking, she was out of the Academy, the members of the board of the Jean-Claude Arnaults party, and cite the esaias Tegnér of the poem ”Song of the 5th of april, 1836, the”, ”the light of The days is, well, non-resident, flärdfullt”. Arnault would, therefore, be it 'foreign' and the Academy didn't have to. Also, In london and new york, which holds one of the four (!) hour-long monologue for Gustavsson, it was thought in those lines. The word ”vivör” is forever carved into the English consciousness.

At one point in the march of 2018, the barking, she was out of the Academy, the members of the board of the Jean-Claude Arnaults party.

the only thing more in depth knowledge, , the Academy ahead of anita, was a well known interview with the Christina, Peace of in to the DN. The thought also occurs to me that the revelation had not been written by someone who was more ”qualified”, or insyltad, if you want to do. However, it occurs to me that she seems to be alone in their work.

tried in Vain to Gustavsson to get Arnault to respond to the charges prior to the disclosure would be in the press, but he dismissed the to her on the phone and refused to respond to her e-mail. Why are stationed, not the DN of a reporter outside of the Arnaults port?

However, there are a number of reasons for self-examination. Why the did not act of my own team is stronger for Bob's , the disclosure of which the Gp in 1997. Which I then sawed Miller wrote the libretto for ”the Town” the following year.

READ MORE: the judge Was: READ MORE: Miller has been protected, Arnault with his anger,”Reports the MATILDA GUSTAVSSON "

the Club. In a research study.

Albert, new york, 230 pp.

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" Gunilla Brodrej, is a critic and editor in chief of Expressen's Culture.

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