The old man breas heavily, his face is covered with pustules. A woman with a gas mask and rubber gloves tells him with tears choked voice that he should let go, not fight. Then everything goes very fast: Two men, also with gas masks, load body on a wheelbarrow, take it outside. Pillow over face, shot in head, pour over corpse with gasoline and light up – within a few minutes a family gets rid of a member. The old man was grandfar.
So begins American horror film It comes at night, and no: After that it will not be a bit more friendly, hopeful or at least more conventional. On Twitter re are plenty of warnings about this film, mostly of people who were looking for a bit of scary fun at weekend and left cinema half traumatized.
It comes at night is very nihilistic in a darkness that is seldom as consistent as it is designed here. The second work of 28-year-old American junior director Trey Edward Shults also provides for controversy among nerve hardened horror film fans. She has triggered an article in British Guardian, whose author recognizes a whole new genre in film: "Post Horror". Wher it makes sense to find a new drawer for current horror films like this one is not most exciting, but that horror film genre is as vivid as it is for a long time. This is of course also due to cash registers such as it or split, but above all to subtour of genre by young filmmakers who recharge it and share with ir films as personal and relevant stories. Get out, for example, made racism a solid horror and was thus not only one of most important films of past year, but also a commercial success.
Until someone tries to break front doorIn it comes at night it doesn't seem like title whispers to monsters that wake up at nights. The film shows what people do to each or when external circumstances become difficult. To its incessant intensity, se circumstances are never clearly named. Some epidemic is haunting humanity, an incurable disease that is an extreme risk of contagion. The fact that civilization has largely collapsed can only be presumed because re is no television or radio, no internet and no electricity. Food and water are also rationed.
History knows only one place of action: a house in a forest, inhabited by a family. Far Paul (Joel Edgerton) runs a strict regiment. No one is allowed to go out alone, key to only door he carries on a chain around his neck. The 17-year-old son Travis (Kelvin Harrison Jr.) suffers from horrible nightmares. The mor (Carmen y) speaks little since death of grandfar. One night, noise awakens family. Someone's trying to break front door. With Will (Christopher Abbott), outside penetrates into small community. The man is also a family far, he seeks water and shelter for his wife and his little child.
Date Of Update: 17 January 2018, 12:03
