Anita Rachvelishvili: With Man and pug

A voice like a volcano: the Georgian Anita Rachvelishvili conquers the opera stages of the world. No mezzo-soprano currently sounds so peppery, sparkling and clear.

Anita Rachvelishvili: With Man and pug

If you follow mezzo-soprano Anita Rachvelishvili on Facebook or Twitter, you will not only enjoy usual role photos from New York, Paris or Vienna (as Carmen, Azucena, Amneris, Santuzza), but also from snapshots of your sport pug Frankie (longer b A long snout) and her freshly baked husband: Kissing in Venice, walking in Central Park, impressions from a happy life. The 33-year-old, who is currently making a world career, enjoys what she is experiencing, success, love, and lets her fans share in it. Certainly, marketing strategies must not be confused with people, especially since cliché of baroque, black-curled, glow--eyed Georgian in opera Circus is all too easy to use. Rachvelishvili, however, manages to show soul – which is why in addition to all music, man and Pug are also important.

This article comes from time No. 12/2018. Here you can read entire output.

A voice, straight away, like a volcano: magma colors Sparkling, full of peppery-fiery notes and barely tame in ir truculence. A great organ, however, have many. What distinguishes Rachvelishvili is her master in detention of repertoire. This singer does not have a dramatic nuance hidden, and in which subject she is moving, that one listens to her just inhaling. Wher it is Saint-Saëns ' Dalila or Rimsky-Korsakov's Ljubascha, wher Verdi's Eboli or Massenet's Charlotte: It is as if ir vocal apparatus with finest synapses reacted to respective linguistic and musical idiomatic, even as notes texts put him in a state Intuitive osmosis. Rachvelishvilis Mezzo understands, without Klügeln, and that behind it a lot of very hard work, makes him even more attractive.

Who had opportunity to experience Georgian woman in her breakthrough at Milan Scala in 2009 (Daniel Barenboim discovered her at that time as Carmen) or in 2013 in Berlin in Rimsky-Korsakov's seldom-played opera The Tsar's bride, might suspect that she fice more Hnendarstellerin is a born recording singer. Your debut CD does not stop. The only really unknown piece on it (in addition to some promises!), a cavatina from Dimitri Arakishvilis legend of Shota Rustaveli, she sings with mighty much pride and pain and a enamel in voice, which makes you trust in it, since SS This artist will never forget her roots deep in east.

Anita Rachvelishvili: Anita (Sony)

Date Of Update: 09 April 2018, 12:03
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